Friday, February 22, 2019

Reviews of two (vastly different) fantasy trilogies

Hey all!

This week's reviews will put two trilogies (one realistic fantasy and one epic fantasy) into their crosshairs. The trilogies are:

Godblind by Anna Stephens (@AnnaSmithWrites) and Winternight by Katherine Arden (@arden_katherine). I've decided to review the two of them because they were both unique in their own way. They captured my attention and didn't let it go and I even missed some video gaming time to read them.

I'll talk about Winternight first.

The Winternight trilogy by Katherine Arden:

Winternight starts with The Bear and the Nightingale. This came out in 2011 and it has taken Katherine Arden about seven years to finish the trilogy. The Bear and the Nightingale. I'm reasonably sure you've all heard of it by now. If not - this is your chance. Buy the book. Read it. It's definitely worth it. Then buy the other two and read them as well.

The story of Winternight begins with some background (but it's by no means boring) about how a witch girl was born and the first few years of her wild life in 14th century Russia.

As the rest of Rus starts believing in a God and the monks who tend to this God the (hearth-)spirits/devils/demons (called chyerti in plural) of old Rus are forgotten more and more... which makes them fade and become powerless. But not in Vasya's family. Vasya (the descendant of an ancient line of witches) has the sight and makes it a point to deal with chyerti just as she would with any human ally. They are her friends.

Trouble arrives in the form of the Bear - the king of chaos - and Morozko - the winter king and king of death. I don't want to go too deeply into either of the storylines but suffice to say they divide into a really beautiful romance (albeit not so much in the first book) and a harrowing and uncaring enemy. In the second and third books (The Girl in the Tower and The Winter of the Witch) these villains and lovers are elaborated on and more dangers are introduced. Rus has to fight foes both religious/spiritual and worldly if it is going to survive.

Let me first of all say I'm not into romance. At all. I dislike the cringey YA romances where everything is perfect and a kiss is treated as if someone found the holy grail and I also despise the usually epic fantasy romance which is a) overdone and b) smarmy and rather fucked-up most of the time. However. I really enjoyed the romance in the Winternight trilogy. It's not obvious (at first) and it's subtle throughout. It doesn't make the (female) main character go crazy with besottedness. It is a partnership between two strong people and neither one takes crap from the other.

The second reason this trilogy is so beautiful is the story itself. You could say it meanders a bit - but at the same time the plot is razor-sharp without fluff. It meanders in the way that you're sucked into a magical kingdom and neither want to nor can leave. It's beautifully written and 100% worth the hours you'll spend on it. (And I don't say this about many books). It is truly a masterpiece of combined Russian folklore with... beauty.

Heck. I don't even like horses (at all! I'm serious!) but I really loved the horse-characters in this book. THAT is saying something considering all other books I've started that had talking horses were swiftly dropped.

Don't believe me still what a masterpiece this is? Buy it and see for yourself.

The next books we're taking a look at is Anna Stephen's Godblind trilogy.

The Godblind trilogy by Anna Stephens:

I'm not usually someone who likes 'THIS IS ALL PROPHECY' kind of storylines, and I still don't, but Anna Stephens must have done something right. I could put neither book down while reading them and it's still in my mind two weeks later.

The story was just incredibly well-written (with several POVs) and I just really wanted to know what happens (and what will happen in the third installment) at all times in the book. That being said... I disliked a lot of the characters. There are some whose only purpose seems to be to 'be there' (prophecy) and others who just change their personality in the blink of an eye. Then again this isn't really a problem per se. It's just how it is and my preference (and nothing is 100% perfect). I'm sure there are people who like Dom.

This trilogy then is completely different to Katherine Arden's Winternight. It's an epic fantasy whereas Winternight is more historical fantasy set in the 'real' world. The only reason they're in the same post is because they're both fantasy and I really enjoyed both of them in the last two-three weeks (and none of the other books I read was as good).

A bit more about the Godblind prophecy:
A lot of Godblind and Darksoul relies on it. Prophecy here, prophecy there, and one of the main characters is a prophet, and another (ok, more than one others) the CHOSEN ONE. As a result, a lot of the events in the book are caused by prophecy (at some point in Godblind even inexplicably, as in, it didn't make a lot of sense to happen this way), and yet, while reading it, it doesn't feel bad/like 'book explains everything because of prophecy' (cough Harry Potter). Indeed, the characters are very headstrong, and each have their own will, goals, and desires, and the prophecy part... Is not actually very very relevant at all. I'm guessing there might be another series after this is completed to make sense of the prophecy, or the prophecy itself is some kind of... 'It could apply to anyone'/'There are multiple peolpe it could apply to' plot.

Anyway. Godblind and Darksoul were the first really cool books I've read since Tim Pratt's The Dreaming Stars. I can guarantee you'll be sucked in and not let go once you start. In this case, the sucked in part also comes from the writing style itself. Anna Stephens doesn't muck around with endless description and boring fluff, but goes straight into action every single scene. It reads almost like a thriller, but it's definitely epic fantasy, and I'm really hoping the author will write more books in this world because I'm curious about all those countries mentioned which doesn't feature in these books.

The only caveat of the amazingness of these books I'd have to mention is the gore. The author's writing style makes it easy to read even when someone's getting nailed to a cross BUT the violence/blood/gore IS there. If you're a bit twitchy or faint-hearted this might not be the good for you. Then again. I usually don't read this kind of stuff and GOT was too much for me (I had to skip over a lot of writing/chapters while reading it) but as I've said above Anna Stephens has a very clean writing style which can put some distance between you and the book. It's almost sterile sometimes and definitely not as raw as GRRM's GOT but still quite immersive.

Does this sound like something you'd like? Read it and let me know in the comments what you thought! I'd love to get some input!

WriteBot.

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