Friday, November 30, 2018

Art for Seafarer!

Hey everyone!

I wanted to share with you a piece of art that was made for one of my stories:

Seafarer. Seafarer is one of the stories that will be published in Worlds of Magic when it is released on the 7th of December. The story of Seafarer follows a young woman as she tries to find out how her mother fell in love with her partner. It's a tale of how the pirate queen acquired herself a princess. The two main characters are shown on the image!

In a way this post is a character introduction as well. I give you: Aaea and Isolde! (Click to enlarge!)


(by Ngo Hung)

Isn't it pretty?

This story is one of friendship and love and light. It is about mysterious magics and screaming kings and pirates who steal underwear. It's a fun story of adventure as well as deep and insightful into the nature of human relationships.

Excited? It's coming out on the 7th of December! Stay tuned.

WriteBot.

Thursday, November 29, 2018

Why you need to raise the stakes

Hey everyone!

How are you doing this fine day? My own writing is... suddenly not going well even though it's been perfect the last few days (???) and I'm going a bit crazy. Ah well. It might sort itself out.

Today let's talk about the importance of raising the stakes.

The most recent example of a series (TV) that failed at this is The Man in the High Castle. I've been dying to talk about this for at least a week since I started to watch Season 3. There will be some (minor) spoilers so if you don't want to know the end of Season 2 stop right here!

What is there to say about The Man in the High Castle.

It started great. The first two seasons were coherent, connected, and everything made sense within the universe where it's set. I liked some of the characters (Tagomi) and hated others (Frank). All of them had their part to play and the first two seasons had UNITY. It had a plot.

Cue Season 3.

The unity evaporated like water in the desert. The characters are no longer doing ANYTHING related to any plot or within their character (established in the first two seasons). They've all gone insane, there is no plot, and the only thing the season has established so far is to put in a lot more fluff. This fluff comes mostly through kissing and unnecessary sex scenes as well as dramatic (emo) scenes where people talk about their emotions that are way too prolonged. Of course I have nothing against either romantic or 'deep' scenes but those are neither. The 'romantic' scenes often happen to characters I don't care about (who were introduced badly in season two and three and with whom the audience has no emotional bond whatsoever) and the emotional talk scenes... well. There's about ten every episode and it's getting old.

There is also (as I have mentioned before) no plot in Season 3 whatsoever. Unless you count the three or four scenes where a dark tunnel is mentioned that needs to be investigated.

All right. Let's get to WHY it doesn't work though. I've talked a lot about WHAT doesn't work. It's time to look at the details of WHY.

The WHY in this case is actually very simple:

The STAKES are not high enough after Season 2. In fact there are almost no stakes at all.

Consider the characters.

At the end of season two they have already lost everything they could lose (Smith his son, Chief Inspector Kido his second in command, Frank is supposedly dead, Juliana everyone she loved, Ed and Childan their shop, livelihood, and family, Joe his honor and pride and so on and so forth, and Tagomi gave up his family for the greater good). These are characters who have absolutely nothing left (and Juliana's sister reappearing in the second season? Well in the third that plot point is made completely useless as the only journey they go through is 'how can we get sister back to her world').

All right. The characters then have nothing left = no personal stakes.


Let's examine the public stakes of s1 and s2 briefly. In s1 the public stakes were beautifully set up and in s2 climaxed upon.

Here is season one's storyline for each main character: What's up with (Juliana and) the films? What will the death of Frank's sister and her children make him do? How far will he go? Will Joe betray them all? Will Tagomi be able to help his spy get the blueprints for the Heisenberg to the science minister and get him out alive? Will Chief Inspector Kido successfully apprehend the resistance member who has the film?

These (mostly personal) stakes are all set up and solved. At the same time Season 2 is set up neatly.

Throughout Season 2 there are even more questions that need answers. There is a new film Juliana needs to see. It is terribly important. Will she manage to get the film to the Man in the High Castle? Who is the Man in the High Castle? Will Frank be found out? Will he be accused of shooting the Japanese crown prince? Will he survive the Yakuza? Will Joe reconnect with his father? Will Tagomi reconnect with his family in the alternate world? Will Chief Inspector Kido apprehend the resistance before it's too late? Will Smith's son survive the season? Will we (the audience) find out more about the films and alternate worlds? Will all of them be able to somehow avert the coming war?

The public stakes here are HUGE. If the Nazi Reich and the Japanese fight over America then millions of people will die. Hundreds of cities will be destroyed. Thousands of communities. And the stakes are averted only at the last minute.

Then we get to Season 3. All the questions above have been answered masterfully. It wasn't perfect (some loose ends and red-shirt setups) but there was a silver lining through all of the two seasons.

Let's see if we can find ANY stakes in this season.

Season 3 starts with Juliana's sister back in her life BUT she has to go back to her own world for reasons unknown - which means the whole plot point of her appearing AT ALL has just been made redundant. It would have been a good ending for Juliana who believes in people and always helps them to get something BACK. But no. Season 3 destroys this.

Frank meanwhile has been hiding out with some jews in the mountains of somewhere. (Denver?). The first and second seasons he has always been adamant about not being a jew (and not just because the Nazis would kill him but because he simply did not wish to live the jewish life). Suddenly, all he wants in life is to be a jew. (And anyway how did he survive the explosion when the girl standing right next to him got smashed up?)

Smith does not react to what happened to his son. He's chill as usual. There is no emotion there where it should have been. Then again... I guess it IS six months later. Smith also has problems with people trying to do him in (or at least get him into prison for treason). A new character is introduced as the 'antagonist' but killed off relatively quickly because ???

Chief Inspector Kido is (as always) doing his own thingamagic. However, all that translates to is his growing relationship with some white woman in a club. I will admit, that's at the moment the only part of the series I enjoy. I like how Kido went from 'I don't talk to working girls' to her being the only woman (person) he talks to honestly. Also she's taller than him which is cute.

Tagomi... is a mystery. He has averted the war in his world. He achieved his mission and why he left his family back in World 2 and returned to Nazi World. So why didn't he go back to them? He was happy there and they were starting to accept him again. BUT he has a new girlfriend (some Japanese painter who says she has a husband but still flirts with Tagomi every chance she gets???). It's all fine. He only loved his wife enough to learn how to traverse worlds.

All these characters do throughout 2/3 of the third season is... nothing whatsoever. Oh of course they're running around doing stuff but none of it has any stakes. Random romantic (or not so romantic since I don't care about these random insert characters who only popped up to have sex with one of the main/side characters) scenes happen. Juliana goes crazy. Frank suddenly becomes a jew. Smith kills more people. Joe loses his mind and then his life (in a rather graphic way that didn't fit the rest of the series at all). Tagomi is just derping around. Chief Inspector Kido... well at least his relationship with the woman from the club is cute.

There are no personal stakes for either of the characters throughout the season. The only characters with personal stakes (Smith and Tagomi) solve them pretty quickly.

There are also no public stakes.

Remember the war that almost happened at the end of s2? Knowing there was a s3 I kept thinking 'something must happen'. The atomic bomb MUST BE dropped onto the Japanese (by accident after the 'bad guy' is apprehended or just SOMEHOW). The atomic bomb MUST be dropped. Well. It wasn't. The war was averted when (thinking about setting up s3) it SHOULDN'T have been. Because what happened in s3? All the stakes were suddenly gone. The characters (as I mentioned) went through so much and lost so much they have nothing left to lose. The public has nothing to lose either at this point.

There simply are no stakes. And that's a terrible thing when you've watched s1 and s2 and know how much opportunity it had!

The best I can figure about the stakes of s3 is that the public stakes are supposed to be the fact that the Nazi Reich is trying to build a wormhole/whatever into other worlds to spread the Nazi Reich into them.

But why? They haven't even conquered their own world yet. They are too afraid to start war with the Japanese but at the same time they're working to conquer whole new worlds? What? It makes just as little sense as the 7-10 kiss/sex scenes in every single episode.

I applaud you if you've stuck with me so far. I would have kept it shorter but I wanted to make a good example of this. (And also the horrible storytelling of s3 makes me really angry after how good the first two seasons were).

This is story-telling 101.

If your first book ends in preventing a war then your second book can't hang on to all kinds of personal sob stories of your characters. You raised the stakes by starting a horrible war... and then let everyone down by going back to 'oh yeah but listen these characters are suffering individually' (and then they're not even suffering anyway but just being or randomly jumping into bed with everyone else).

Of course it's hard to top two great seasons and make the third better. But s3 was just horrible to watch - and so are many other book and TV series these days. The purpose of raising the stakes is to keep reader/audience interest. It doesn't work when they first avert a war and then go back to doing nothing at all for a whole book/season.

I really hope this wall of text will help you figure out why stakes are so important and how to use them well! And if your book two is already great and you just can't figure out what to do for book three? THINK HARDER. THINK BIGGER. If they averted a war in book two it's time to deal with that exact same war in book three OR bow out. There can be no going back to a normal 'comfortable' life after that. Not if you don't want your readers to fall asleep while reading your book (cough Authority by Jeff VanderMeer).

WriteBot has said its piece. Have a good night/day!

Wednesday, November 28, 2018

2019 Book List

Hey everyone!

This year's almost over (one month to go!) and I've just finished the 64th book this year. That in turn got me thinking about next year. What would I like to read? I have a truly enormous reading list in general but have decided to already prepare (by buying books and making them 'available' on my devices to read whenever fancy strikes) a list. That way I won't get hung up on what I should read next/where to get it/and so on.

Here's the list (so far) that I want to go through in 2019:

1. Undersea Fleet
2. The Kraken Wakes
3. Ascension (Water)
4. Boundary
5. The Compound Effect
6. The Success Principles
7. The Hungry Brain
8. Brain Food
9. Fasting and Eating for Health
10. Intermittent Fasting for Women
11. The Life-Changing Magic of Tidying
12. The Complete Guide to Fasting
13. Halfway Human
14. Black Leopard, Red Wolf
15. The Departure
16. Rebel of the Sands
17. Autobiography of Black Hawk
18. The Individual Psychology of Alfred Adler
19. The Abyss Surrounds Us
20. The Deep Woods
21. The Dreaming Stars
22. Smoke in the Sun
23. Of Fire and Stars
24. The World Walker
25. The Assassin's Curse
26. Forgotten Places
27. When the Future Comes too Soon
28. Sky Dancer
29. Sky Song
30. The Winter of the Witch
31. Tides of the Titans
32. Darkdawn
33. Lonesome Dove
34. All the Crooked Saints
35. Autobiography of a Geisha
36. Change your Brain, Change your Life
37. The Evolution of God
38. Lotus War 1
39. The Man in the High Castle
40. The Future of Humanity
41. Godblind Anna Stephens
42. Start with Why
43. Leaders Eat Last

As you can see my reading list is wide and varied. It contains fiction and non-fiction. It contains YA books as well as adult books and most especially in the non-fiction category some books on leadership and healthy food (brain food actually).

I am however still lacking 17 books to reach my goal of 60 books a year. (This year's was 52. I overshot it by some and wanted to make 60 a regular number instead.) That means I'm looking for suggestions! Can you recommend any books you absolutely loved? Is there a book coming out you think absolutely fits on this (messy) list? I'd love to know it! I'm always open to new and good material to read.

Have a recommendation? Post it in the comments! All suggestions welcome!

WriteBot out.

Tuesday, November 27, 2018

Short Story Update: Catching Fireflies

Hi again! Today's a busy day!

As promised yesterday, the revisions of Catching Fireflies are out. I have just uploaded the new document onto Amazon KDP and those who've a copy of the previous version are getting an update of about... 900% more than the story was before! The story simply developed out of hand while I was working on it.

So here's to you, reviewer who wanted MORE CONTENT and NEEDED MORE INFORMATION about what happened after the initial story. Here's the continuation of a story I didn't think I'd ever write on again.

Of course there also needs to be a celebration! So in order to celebrate the new and EVEN SHINIER version of Catching Fireflies I've decided to post the first part of it (what it used to be before today) here on my blog. That's right. It's right here if you just scroll down a little.

(PS: before you lose yourself in Mairie and Dyl's world please keep in mind updates on KDP will take a while still so perhaps the actual update will only be available tomorrow. Have fun!)

Catching Fireflies

Tell them you're catching fireflies,” Dyl's mother said. “For the lamps.”
Dyl acknowledged her words with a quick jerk of the head before he collected the glass jars she'd laid out for him and left. He swam up to the calm surface near the shore. The alibi could hold. It was summer and the fireflies aplenty this close to dusk. Dyl gathered the tiny insects until the sky darkened and the town lit to mock the stars above. The harvest was good but couldn't quite ease his tension as he waited. His stomach – empty except the few fireflies who'd found their way past his sharp, needle-like canines – quirked queasily.
The girl coming down the small hill just off the shore was about the same age as he would have been were he man, her bare footsteps light on the wet sand. Her dress and curls rustled in the evening wind.
Dyl decided to play it coy. He hid in the seaweeds, but kept the top of his head above the languid tides.
Until he heard her cry out.
Then came the next phase of the plan.
He ducked under the waves and waited to hear her call him back.
Come back! Come back!” she cried. Her voice was muffled by the waterline as if she were speaking through a great conch. “I won't hurt you!”
Nonetheless he made her wait a while before he re-emerged. Long enough to ignite her curiosity with a spark of desperation, so that when she saw him, she would only wonder at his strangely dark-luminous eyes and boyish appearance, not worry about the too-long needle-fangs and tall dorsal fins.
When he did surface he did it slowly, as if he were shy.
Who are you?” she asked. The calm curiosity in her voice reassured Dyl somewhat as he struggled to remember how he'd been taught to proceed.
The girl's head tilted. “You're not a mermaid.”
Dyl's tail twitched. Why wasn't she scared? At least a bit? He did have fangs and eerie-to-humans eyes after all. There was no protocol to deal with unfazed human girls.
What's your name?” he managed.
Her forehead creased. “Why should I tell you? You haven't told me anything about you.”
Dyl wet his lips.
I – I'm – my name is Dyl. Indyl.”
Strange.”
It was his turn to scowl. He crossed his arms – pectoral fins jagged against the pale-blue skin of his elbows and forearms - snarled – and closed his mouth immediately when her eyes narrowed curiously. The girl laughed.
What?” he said.
I like it. Your name. It doesn't matter that it's strange.” A pause. “I'm Mairie.”
Dyl's arms unravelled. He couldn't help himself. He might just like her better than the others – all the others combined.
What are you doing?” Mairie asked.
He forced the flutter of his gills to stop.
Collecting fireflies from the reeds.” He turned to show her the jars tied to the side of his waist with seaweed rope.
Why?”
To light the lamps in the deep.”
Why?”
He paused slyly. “It's dark down there.”
Oh.”
Dyl twirled in the water and showed her his tail fins. “I could show you if you like.”
Mairie scowled. “Papa'll be angry if I leave.”
Dyl wet his lips as if that'd help the sudden dryness in his gills. How would he play this? He hadn't considered the human girl's parents because they didn't matter. They weren't his prey. What could he say to disperse her concerns?
He'll never find you.”
Her brows creased, as if this didn't reassure her at all, and she shook her head.
Dyl gave an elaborate shrug – as if her rejection didn't sting just a tiny bit worse than the average pincer - and turned to the open water as if to leave.
Wait!”
He glanced over his jaggily finned shoulder.
What do I have to do to come with you?” she asked.
Dyl's heart thrilled. He would have to play this last phase of the plan gently to keep her placid.
You'd have to grow fins and gills to breathe,” he said.
Her eyes widened. “How?”
He felt a pinch of guilt. “You can't go back if you do.”
Back where?”
The surface.”
But you're here.”
You can't ever walk the land again,” he said.
Never?”
Never.”
She crossed her arms. Dyl's gills heated. He thought she would reject him then, out of fear or trepidation, and also that he should have talked more about the firefly lamps and the alluring serenity of the deep and less about the everlasting dark and the Rubicon she would have to cross.
She said, “I don't mind. Daddy's gone and I don't like papa's new... friend. They always fight.”
Dyl tried to keep himself from nibbling his nails as his heart hitched.
I could help you if you want,” he managed. “To grow fins and gills and a tail like mine.”
You would?” And then, suspiciously, “Why?”
Dyl shrugged. His gills must have glowed, so hot did they feel.
What could he have said? That she was special? That he wouldn't hurt her? That it wouldn't hurt? But he wasn't that good a liar, and he wanted her to know the truth.
Because she was special.
Mairie contemplated Dyl a moment longer, as if his silence communicated more than any of his words could have.
And at last she gave a nod.
Did you enjoy this story? Check it out on:

Amazon US

Amazon UK

Amazon DE

It has two reviews already. Write up another! WriteBot would love to know what you think!

Have a good night/day!

Xenos and THE OTHER PROJECT

Hey everyone!

As you know, I've been working on edits for several stories that'll go into the Xenos short story collection. I know a lot of you also liked the cover (yay!). Today, I wanted to just quickly update you on Xenos and... surprise you!

Xenos first.

It's been going great. Xenos will be published on the 7th of December. The short stories included are nearly finished with their last edit. I'll of course update you once it's done, but the most important date to keep in mind is December 7th 2018! That's when Xenos comes out on KDP.

BUT that's not all.

Because it's Christmas soon I've decided to release another short story collection at the same time!

Here's the cover!

This collection is very much different from Xenos. Where Xenos focuses a lot on the unknown and scary in combination with cosmic events, Worlds of Magic is a collection of magical and gentle tales of friendships, love, and adventure.

The stories included are:

Lucy and the Magician (a sweet story featuring the tales of many lives)

Seafarer (How did the princess fall in love with the pirate queen?)

The Hungry Worlds (A girl thief trying to atone for stealing a village's most prized sword... but maybe primarily to impress a knight of the all female watch)

Into The Still Places (the prince of a far-away place trying to save not only his world but that of his enemies as well)

The Path of Lost Souls (a boy's trial by maze to survive into adulthood. This one isn't so gentle as the rest.)

Are you hyped yet? You should be. These stories are perfect to read when you're feeling lonely or sad. They're also perfect as a Christmas gift! They will be released on the same day as Xenos - 7th of December - and you can buy them on Amazon once they're out. I'll of course update with a link once it's on there!

That's all about Xenos and Worlds of Magic.

Another update (that doesn't strictly need to be discussed but will discussed anyway): I've been watching The Man in the High Castle (Amazon Prime series) for the last few weeks. At this point I'm almost done with season three and severely disappointed. The first two seasons were great. It all made sense (mostly). But with season three the writers have just failed in their mission to keep watchers hooked. The tension and excitement of the first and second seasons just isn't there. Why? Because the writers failed to raise the stakes after season two. How? I'll explain more in my post about this very topic tomorrow! It's a great case study in what NOT to do when you're writing a series.

For now, good night/day! WriteBot.

Monday, November 26, 2018

WIP Progress Report

Hey everyone!

It's been a long day already for me. I finished editing Catching Fireflies's bonus draft (I did not choose the adding-another-8k-words-to-the-story life! The adding-words-life chose me!) and it's complete at 9k words. These 9k words were edited over the last three and a half weeks since my post on 10X WIP here.

Today I'd like to report on my progress and show you what I have done since I started setting actual tangible goals to work on every day. If you want, you can read my initial post about these 10X WIPs (by the way from Grant Cardone's The 10X Rule) through the link above.

Let's get started with my WIP list as it was three and a half weeks ago.

  • editing the fairy tale Catching Fireflies.
  • editing Of One Mind.
  • editing Eye in the Sky.
  • editing Hourglass.(And the other books in the series)
  • finishing Ris's story.
  • writing the NEW STORY.
  • publishing short story collections. Into the Deep, Xenos, and (placeholder name) nice magical stories.
  • publishing Elegy of the Stars.
  • publishing Warlike/The Torn Earth.  

  I've so far done:
  • editing the fairy tale Catching Fireflies. (The updated version will be on KDP tomorrow! Yey! Hype!)
  • editing Of One Mind.
  • editing Eye in the Sky.
  • editing Hourglass.(And the other books in the series)
  • finishing Ris's story.
  • writing the NEW STORY.
  • publishing short story collections. Into the Deep, Xenos, and (placeholder name) nice magical stories.
  • publishing Elegy of the Stars.
  • publishing Warlike/The Torn Earth.

I have also edited Immortal, which was not on the list to begin with, and am writing two more short stories as well. These are a bit more difficult and longer than my 9k average short story word count. In addition to this I'm committed to one blog post a day (at least) and have been actively improving my author profiles on various sites and finding/hiring new artists for book covers.

Let me give you some thoughts on how planning is working out for me.

1.) Having goals actually makes me sit down and work

2.) I often don't feel motivated to write still but I do it anyway. I have a goal to hit.

3.) The more often I sit down to write the more often I will find SOMETHING to write

4.) In the last three and a half weeks I've been more productive than during the last two years before them

I think the last point is the most important. I started to plan as an experiment (I'm usually someone who does not like to plan what they will do and when) and to be able to talk about my experience with it. As soon as I sat down to plan I found out I actually LIKE planning. I just don't like when my plans go awry. (But of course they do). Still. The numbers don't lie and the numbers are quite awesome (see 4.) again!).

Why don't you join me in my experiment? Come and be productive with me! I promise you'll still be able to procrastinate (still working on getting rid of that habit...) BUT you will also get much more done than you ever thought you could!

Try it out? Tell WriteBot about your own experiment! Let the comment section be open!

Have a good day/night! WriteBot

Sunday, November 25, 2018

Chapter Preview: Warlike!

Hey everyone!

Because you liked the character introduction I did yesterday so much (seriously! I got like three or four times the views of my other posts!) today's blog post will be a chapter preview of Warlike.

Without much further ado...

CHAPTER ONE

I told myself I didn't need the Elder's permission or even tolerance of my plan to do what had to be done. If we were to survive against the raptors, we needed weapons, and despite Kava's dire warnings, weapons were what the artefacts of old civilizations had left behind in that ancient, terrible haunt, the Deep.
And I wouldn't let Venya's war party have died in vain.
The setting moon had darkened the plant-life around me by the time I approached the Deep's craggy outskirts. I hadn't told Iva where I was going, either. Iva wouldn't understand, the same way she hadn't understood my rage after I tried to convince Kava that after the loss of Venya's war party we couldn't simply stand by, but had to protect ourselves. I wondered whether they were missing me by now. They probably did. It wasn't like me not to come home after a patrol. Kava probably knew where I was and Iva would suspect the same thing if she noticed I hadn't come home yet. It made me wonder briefly who might realize where I was headed first. Iva, who'd been my companion since I turned into a huntress, or Kava, the Elder, who could predict a rainstorm days ahead.
In front of me the brush opened slightly.
I was as close as I ever dared to come before, close enough to see the strange metal spikes, some of them scattered on the ground and the mesh of metal wire covering the ground like a carpet. I'd once tried to follow this carpet to the other side, but I'd not come far. The carpet ended, was torn, and there was no more pattern to it.
In the past, before the year 2138, it might have stood erect, like the fences we used to keep animals out of the village.
But what did they want to keep out? Or in? Had the plague of raptors already been a problem all those centuries ago, when the fence was erected (though I couldn't imagine the thin metal mesh would have held them) or had there been worse threats?
Beyond the fence, the land rose slightly. Trees were growing back slowly here, where they hadn't for centuries, and they were strangely tall, imposing, where they stood isolated. The rest of the area was clear, giving a good view onto the gigantic structure in the middle: the Deep.
It rose from the ground like a massive piece of grey rock. Veins and stranglethorns grew on and over its walls in patches, and usually, the raptors weren't far off. I slowed down my steps, went into a crouch. I was wearing red, of course, but the raptors weren't entirely stupid. If they saw movement, they'd assume something living, because there was no wind. They didn't care what it was they attacked, as long as it was meat. Humans, great cats, water bears, meat.
I ducked past the single standing remains of the giant fence, grown against and within a giant's fan, and slid into the underbrush. The going was difficult here, the brush thick, because no one had been here for a while to clear it. The atmosphere was quiet, no raptor showing its reptilian face. The air smelled slightly rancid, with a lingering, ancient taste of something sharp and metallic, like blood. The closer to the Deep you came, the stronger the smell, but it never sharpened enough to bite your nostrils after all this time. And it had been a while. No one of my tribe remembered what the Deep was for, or when it'd last seen people.
Around the Deep, the night turned cold and the red furs on my shoulders ruffled in a chill wind. The sudden change in temperature made my my fingers stiff and I felt for the metal tube on my back for reassurance. I couldn't have said why I brought it, since it didn't work. Maybe there was no reason at all, and I just liked the feel of the metal. But perhaps I was hoping it would protect me should something happen, that it would suddenly spring to life.
But then, when it happened, the tube stayed as lifeless as it'd been before.
In a short time, I was close enough to the Deep to see the scars on the surface of its walls. The material was unfamiliar to me, a girl of the jungle-forest. It was like stone, but grainy, and, as I later learned, not as hard. It had the colour of stone, too, but no stone ever was as evenly dark grey as the mass of the Deep's wall.
I approached it carefully, making no sound on the broken leafs and twigs around it. Here and there, debris glittered on the ground around me, like puddles of water that should have long evaporated. The air smelled again of the sharply metallic smell. It reminded me momentarily of the time our elders sacrificed a lamb to appeal to the rainstorms.
I snorted inside.
It was little consolation that they hadn't repeated that trick ever since.
I was about to turn towards the structure to examine more closely the material the Deep's walls were made of when the earth trembled slightly beneath my feet. Earthquake, my brain warned. Danger. But then, before instinct could send me to shelter, movement in the corner of my eyes caught my attention. In the same breath I realized how quiet it was, the constant noise of the small jungle-forest animals drowned by something... bigger.
Raptors.
They came out of the treeline, almost half as tall as the trees themselves. Their hides, a green and yellow, covered in thick scales the size of a human head. And those were the smallest of them, the foragers. The bigger ones could reach up to the tree crowns without much difficulty. The raptors' skins were tough as metal, reptilian, but at the same time pliable as leather, and the only thing that could penetrate it was metal, the kind we didn't have, and the reason we couldn't fight them. Thin, short arms, with claws the size of half a man and knife-sharp teeth half again the size of one of my tribesmen threatened if you ever were caught, and getting caught happened too often, even though my tribeswomen didn't stray far from the village and the raptors weren't smart enough to know we were all gathered there.
My breath stalled. I was closer now to the raptors than I'd been before in my life, and an absurd thought suddenly emerged in my mind. Had Ion and Tarin been as terrified when they scouted the Deep? When they somehow managed to kill that raptor we found, later, when we already knew they were lost?
I pushed the thought away almost as soon as it surfaced. Terror was useless. Terror made you careless, made you do things you wouldn't do in your right mind. I needed to keep my wits. I needed to ignore the fear and get out of here.
I made myself as small as possible and slowly slunk back into the shadow of the Deep's wall. There was nowhere to hide except in plain sight. I couldn't fight the raptors, not with the knife on my belt, not with the metal cylinder strapped to my back, but they might not see me if I didn't move. The foragers' red-rimmed, slit-pupiled eyes easily spotted movement, but scenery, especially red, essentially made them blind. The red of my clothing would make me melt with the wall like another rock. The only problem then was their sense of smell. My heart pounded rapidly, quickening my blood, producing more sweat. Blood and sweat. The ultimate cocktail to lure a raptor, and their scent was the second superior sense to their hearing.
I had to move if I wanted to survive.
But I couldn't move.
Foragers were fast, their two hind legs strong and springy. I wouldn't outrun them.
I inched a step to the right and immediately froze as my attention was drawn to the other side of the clearing. To the north-west, where the moon was dying, more of the foragers, outlined against the bright, dark-red glow of the rising sun's corona]. Trapped. Air went through my windpipe with effort. But the wind hadn't turned to bring my smell to either of the raptor schools yet. I could run, make it to the boundary of the Deep, if I was quick enough, and then lose myself in the thicket. But I didn't fool myself. I couldn't outrun the raptors if they caught sight or scent of me and the underbrush wasn't an obstacle for the small foragers and their sharp claws. But the wind wouldn't hold. The night wind always turned south during the day. It could be seen in the shape of trees around the village and around the Deep.
Then what other option did I have? Shaking with the night's cold as well as fear, which I tried to no avail to suppress, I turned back toward the Deep]. It was obvious the Deep wasn't a natural outcrop just as our huts weren't. There'd been rumours, and even more so when Ion and Tarin disappeared, that the Deep was a dwelling place of old. I didn't care about the rumours and I didn't believe the Deep was anything menacing by itself, especially not the birthplace of raptors. I cared not to be spotted, not to end up as the raptors' dinner.
So, instead of trying to outrun certain death, I turned toward the Deep and started to inch my way around its wall by the feel of my clam palm against the concrete.
Where there was a man-made structure, there had to be an entrance. And that was my only chance to survive.

I hope you enjoyed it! The link to the book can be found here: Amazon Link!

Have a good evening/day!

Saturday, November 24, 2018

Character Introduction: Thresha (Warlike)

Hey folks!

I just came home. Today was the first time I had Dim Sum and it was pretty tasty!

Anyway. Today's post will focus on something different than usual. I usually like to do book reviews and give writing advice but this time I want to introduce you to the fun and adventurous main character of Warlike.

Why? Because I think she's really awesome and also because Warlike has gotten quite a lot of good reviews lately and that just makes me very proud.

All right.

Let me introduce you to:

Thresha. The jungle girl.

 A sketch by one of my artists:

Thresha is a warrior in a small tribe within a jungle-like forest. Adjacent to a large desert (the End of the World) this jungle-forest is plagued by great reptilian hunters called the raptors. These are quite dinosaur-like in both appearance and demeanour (think Jurassic Park!) and prey one everything they can catch. They are also quite smart and this means Thresha's tribe has been hunted almost to extinction.

Thresha herself is a strong-willed and stubborn (one could say they are the same) girl who doesn't believe in hiding to assure the tribe's survival. Her philosophy is like that of any warrior out to prove themselves. Thresha wants to fight for her tribe and especially the girl (her clan-sister) she loves.

Thresha gets the chance to stand up to the raptors when her tribe's most skilled warband is killed by the raptors. Warlike's story starts after this elite band of warriors is vanquished and Thresha does not agree with lying low. The death of the venerable hunters Ion and Tarin pushes her to question the Elders of her tribe and in effect chose her own path to fight the raptors.

On her journey out of the jungle-forest to find the legendary weapons that she knows have once existed on Earth she will however meet a lot of resistance. This adversity comes in a lot of shapes and forms as a world opens before her she and her tribe didn't know exited. Thresha learns there is more than just the jungle-forest left of Earth. A chance encounter with a young man from outside the jungle-forest takes her into a spiral of discovery and danger. Among them are a woman who wants her dead because she disrupted the balance of her enclave. And a host of flying metal men (called 'sems') intent on destroying the rest of humanity and assimilating them into more sems. But that's not all. As Thresha is taken far and wide by her ambition to destroy the raptors once and for all she will learn more secrets about the torn Earth she inhabits than her whole tribe thought possible.

Does this sound like something you'd love to read? It's a great adventure with a badass main character who won't let anyone tell her what do (even when she suffers from her decisions).

Check out the book here: (goodreads link)

It has five reviews so far and they're all quite good! WriteBot is quite happy people are enjoying the novel.

WriteBot hopes you'll love Warlike and Thresha! Check them out and have a good evening/day with it!

Friday, November 23, 2018

Review of Grant Cardone's The 10X Rule

Hi folks!

As promised, today's post will be a review of Grant Cardone's business (actually 'life') advice book The 10X Rule.

You might wonder why an author would read a book that's so much geared towards success in your business. That's a valid question. But let me just tell you: The 10X Rule isn't only valid for business. It can actually applied in every area of your life and work. It's one of those concepts that can be used to improve yourself in every possible way.

Let's get started on how.

The 10X Rule is actually quite a short book. I read it in two days after buying it. I bought it primarily because I was intrigued by the title. The 10X Rule and success strategies (sounds corny, yes)? I had to know what this was about.

And I found out quite quickly after the (somewhat annoying because I wanted to KNOW THE RULE!) introduction.

The 10X Rule in a nutshell is that with everything you do/plan/start you are supposed to plan 10 times as much work. This means that if you for example you plan to write one book per year, you're instead asked to plan 10. If you have it in mind to write ten short stories a year, then plan to write 100. If you plan to make 1.000.000 dollars/euros/monies with your company this year plan to make 10.000.000 instead.

This is the most important piece of information in this book. To plan 10 times as much as you initially intended. To put in 10 times as much effort as you believed would be required. To do 10 times more work when others are already relaxing in front of their PCs/TVs.

Why?

I think Cardone sums it up quite eloquently when he says: (paraphrased) 'I would rather fall short of a TOO BIG goal than too little'.

As well as: If you plan big your mind starts to think in different pathways. If you plan too little there's always the chance that you will a) put off the work (e.g. if you have a whole day spare and you tell yourself you'll write 1000 words... well there are always other things you could be doing!) or b) your mind simply won't commit fully to the work that needs to be done.

This made a lot of sense to me when I read it. I had to backtrack a bit to my own work and was then able through examination of my working style to determine that the 10X Rules is very accurate indeed. Take for examples all those failed drafts in that hidden folder on my PC. They failed because I had very little goals when I started writing them. There is one story called 'Leshen!' (working title obviously) that deals with a police officer's slightly paranormal case of a creature called leshen (Witcher 3 players will know that creepy lvl7 forest where the creepy lvl20 leshen jumps onto you out of nowhere) being sighted. As she tries to figure out what's going on things quickly get darker and darker... and then they just end because I had no idea what to do with the concept.

I thought Leshen! would be an easy book quickly written and edited. It wasn't. I thought it would top at 60k words max. It didn't. It's barely 40k words at this point (and probably won't get any longer). You could say that's because I did not plan it through (I admit I didn't). Or because the topic isn't really my thing (although I used to enjoy NCIS a lot on the TV I find crime novels boring). But there's more evidence of the 10X Rule in my life.

Leshen! isn't the only book wasting away in my hidden folder. There are plenty others. And do you know what they all have in common? They're unfinished. They topped at 10k, 20k, 30k, 40k words, and the just sizzled out, because most of the time I wasn't prepared to write as much as would have been required.

Yes, most of these books are also not really about topics I LOVE, but that only proves the point. I was not excited about the concept. I did not want to spend the 10 times time that was required to finish them. I had it in my mind to finish them quickly, rush, rush, rush, and write something else instead. This lead me to underestimate the amount of work necessary. I did not heed the 10X Rule.

If I had - perhaps I wouldn't have started them in the first place. Or perhaps I would have been able to get to 60k words (a perfect word count for a short crime novel) and finished Leshen! anyway. But I didn't. I didn't prepare to put in 10X as much work as I thought was needed. I wasn't able to reset my brain to the point where I could.

The same goes for diets. If your goal is to eat 1200 (the usual intake goal when trying to lose weight) calories, then set it to 900 (which is admittedly not 10 times lower but you can still see how the rule works in this case) or 1000. If you limit yourself to 900, 1200 will be much easier to achieve.

Don't set your sights too low. Set them too high. Create BIG GOALS to fall short of instead of small ones. That's basically all Cardone's book is about.

Of course, there are plenty more tips and tricks in the book, but I'm focusing on the most important part in this post. That being said, The 10X Rule is well worth the read. It's short, concise, and with Cardone's writing style you're not at risk of falling asleep either.

WriteBot thinks this is a good book if you're trying to be more productive!

Have a good evening/day!

Thursday, November 22, 2018

The importance of resetting your mind when you're stuck

Hey folks!


I survived the mouth hygienist and my teeth look all fancy now. I did however bleed like someone who was stabbed... Aaaand of course they told me to floss every day. I'M TRYING! They recommended me some tools and I actually bought them. A few different kinds of sticks and pokey-thingies and brushes to clean my teeth.

Anyway. I guess that's enough about my teeth.

Today's post (as you can see from the title) will be about inspiration and ways to get un-stuck in your writing project. Let's start with inspiration itself. There are lots of people who will go around and ask authors the age-old question 'Where do you get your ideas??'.

This question is both easy and very difficult to answer. As a lot of authors have said before me 'I get my ideas everywhere!'.

But this is of course quite vague. 'Everywhere' is not a place you can go to in order to get your ideas.

So what are you supposed to do?

I think there are really only three secrets to getting fresh ideas. They all have to do with getting out of your OWN head and into someone else's. Or just out of your own head.

-read a lot
-go outside and meet people (that favourite of mothers' which is almost always ignored)
-think a lot

These are my personal favourites.

Why? Or: Why is it important to get out of your own head? It's simple. Your brain needs to reset. If you've been working very closely on something for a long time you'll eventually become biased (and usually against it). Ideas that seemed fresh and AMAZING the first time around are suddenly stale and boring and your brain keeps telling you 'no one wants to read this kind of stuff'. And anyway. You don't know what to write/edit any more either way.

When this happens this is usually a cue that your brain wants some rest. It's a good opportunity to take a break and do something else: gaming/reading/watching TV.

Will you feel guilty? Perhaps.
Will you be angry at yourself for not working on your own project? Probably.

But will it help you reset your mind and in the long run give you more and better ideas? Also yes.

If you don't have any hobbies -
If you know nothing about the world -
If you don't know PEOPLE -
If you have no experience -

What are you even going to write about? So take a break when necessary! Breaks are just as important as 'actual work'. No matter how much you love something, you can't do it 24 hours a day, 7 days a week. And you probably don't want to either.

Does this seem like a no-brainer? It is. But still a lot of people become workaholics when they truly care about a project, and they needed to be reminded every once in a while that it's ok to rest. You don't have to wear yourself out. You don't have to throw all of your splendid ideas at one project. It's fine if you wait until later with some of them.

WriteBot out.

PS: This particular piece of advice is valid not only for writers but ALL professions. If you're stuck, take a break. The world will look fresh and new pathways will open up for your tomorrow.

Enjoy your night/day!

Wednesday, November 21, 2018

Cover Reveal: Xenos

Hey everyone!

This post will be pretty short as it's late and I'm stressed because I have to go to the mouth hygienist again tomorrow. It will be painful and unpleasant so please forgive my lapse. I promise there will be more informative posts again from tomorrow onwards!

All right.

Let's see about that cover!

I promised the reveal would happen in my post two days ago about my current WIP. Xenos is almost finished (only one more story to edit this week!) and will be out on the 7th of December.

Today I wanted to show you the actual cover!


This is how it looks! I'm quite pleased. The idea was that there's spaceships/missiles coming down on a city at sunrise. It's all quite mysterious (just like the anthology itself).

Do you like it? Please comment! I'd love to know what you think!

Also: keep the date in mind! December 7th the anthology will be out! It will contain several short stories at the price of one! The stories include themes in the areas of:

ALIENS
first contact
weird as heck science experiments
ALIENS
cosmic horror
ALIENS

If you like Lovecraft's works... check out Xenos! It's the best in cosmic horror you can get these days!

WriteBot needs to sleep and try not to have nightmares about the mouth hygienist... WriteBot will see you again tomorrow!

Tuesday, November 20, 2018

Review of James Clear's Atomic Habits

Hi folks!

This post will be a quick review of James Clear's Atomic Habits. I finished it about an hour ago and found it... all right. It didn't blow me away (although some tips were useful!) and the writing was quite dry. It took me several days to finish (that should be an indicator how dry the writing was!) and I want to with this post simply give you an overview of Clear's most important (my opinion) points.

Why did I read it? I thought I could improve my work ethic when it comes to writing - but I'm not sure it actually worked. I am still tired after writing only a little bit (hello depression!) and can't think of any way to improve my habit of doing nothing whatsoever instead of writing most of the time.

All right! Let's get started.

Atomic Habits is a book about... well you guessed it. Habits. Atomic means small and therefore the book is about (guessing it again?) SMALL HABITS. And how SMALL HABITS stack up to over time become BIG HABITS/YOUR LIFESTYLE.

The first point Clear makes is that you should not try to change your whole life all at once. It's much too difficult (can confirm. I've tried it multiple times.). You're supposed to start small. AND you're supposed to change not because of the goal you want to to achieve (example: you want to lose weight and therefore decide to run) but because of the type of person you wish to become (example cont.: you want to become a healthy person at a good weight).

This way of thinking will supposedly help you stick to your habits much easier than if your goal were simply to lose a few kilos. Let me elaborate on that example a bit.

Your goal: lose 10 kilos
Your habits: eating cheeseburger every day for breakfast (don't judge. It has happened to me. Incl. pizza)

IF you only attempt to lose weight then you might do so by sheer force of will (been there done that - eat fruit/cereals instead of that cheeseburger for a few weeks). This is extremely hard and a bit pointless because as soon as you go back to your old HABITS (eating cheeseburger for breakfast) you will rapidly regain that weight.

HOWEVER.

If your goal becomes to change your lifestyle (be a healthier person) then James Clear suggests building small habits around that (as opposed to using SHEER FORCE OF WILL) will serve you better in the long run. This means you are replacing your habit of cheeseburger for breakfast with a habit of something healthy (???) for breakfast instead. This is a small change and you can even start by only going through the motions. Instead of warming up that frozen burger/pizza/sweetened cereal you'd start taking out your healthy cereals and fruit and what not. You don't even have to eat them just yet. The habit of taking them out of your storage needs to come first. You do this every day and at some point you'll be like 'heck I'm starting to make two meals (you're still taking out your burger/sweetened cereals/etc too at this point) and this is inconvenient'. 'Heck. The healthy stuff is already out - might as well eat that and then the cheeseburger if I'm still hungry'.

This is how it starts.

In a few months then you'll cultivate the habit of eating your healthy foods (the things you started taking out of storage first thing in the morning) and will (hopefully) forget all about pizza for breakfast entirely after a while.

The same principle goes for anything else you want to do. Write a book? Start by switching on your PC/writing program or carrying a notebook with you. Commit yourself to writing only two minutes a day. You are allowed only to make this SMALL CHANGE. You must do it every day. After a while you will be tempted to write more. And then more. And suddenly you have a BIG HABIT.

The second (most useful) tip in Atomic Habits is this:

Have a schedule and schedule the habits you want to cultivate one after another. This can be done by certain time or after another activity. The formula goes something like this:

If I wake up at 7:00 AM the next step in my day will be to make a cup of tea (habit you're probably already doing?). After this habit or while the water boils I will do (if you want to change to a healthier lifestyle) five pushups. This will usually be around 7:02 AM.

In this way you have two 'schedules':

1: At 7:02 AM I will do five pushups.
2: While the water boils for my morning tea I will do five pushups.

You can schedule other things this way as well.

If you want to be more productive at work: After getting on the train and finding a seat I will take out my notepad and write 2 new ideas I could develop during the day.
If you want to reduce your calorie intake: After sitting down to eat a meal I will drink a glass of water.
If you want to get better at drawing: I will draw one object every day before sleep (ca. 10 PM)
If you want to learn about physics: During my lunch break (12 lunchtime) I will read an article/watch a video on physics

You get it? After a habit you're already doing (going to lunch break/getting out of bed) you will 'stack' up another habit (referred to as HABIT STACKING in Atomic Habits).

The third piece of juicy advice:

MAKE IT EASY.

This is one very no-brain and yet very difficult to follow through with.

We all know this issue: If you're hungry you'll just grab whatever snack is available no matter if it's healthy or not. (And you're probably still hungry afterwards so have to eat a normal/healthy snack on top of it.)

We also all know this: There's an exciting book/new game/TV series RIGHT THERE when you're supposed to be doing work. What is easier? Sit back and relax or work on that difficult project you've been procrastinating on the whole week? Which one will you automatically do? Grab the controller or try to make your brain solve your work issue?

You don't have to answer that (but you can if you want to!). All of us have good intentions but rarely choose the difficult thing over an easier option.

The same it is with habits. Our bad habits are usually easy. The TV controller is right there. So is that greasy snack that won't fill you so you'll have to eat more later/immediately.

James Clear proposes this:

Make your GOOD HABITS EASY and your BAD HABITS HARD.

In practice this means:

Food: Don't buy unhealthy snacks. If you have to go to the store before you can eat them... well there's a good chance you'll be too lazy to go to the store and thus won't eat them.

Pre-cut your healthy snacks during the weekend (says James Clear - but personally I think the healthy fruit and vegetable snacks he's referring to will be rather gross later on if you pre-cut them too early) so they're always ready to eat. I want to suggest rather than pre-cutting the whole week's cucumbers and apples on the weekend to simply make them more visible and pre-cut them the evening before or in the morning of. How to make them more visible? Put them everywhere. Put them in your (unhealthy) snack drawer. Put them on your tables and desks. Put them on your nightstand. (This is a trick learned from a hotel. They had apples in a basket and I was hungry. I ate an apple instead of unpacking my candy from my bag simply because it was THERE already.)

TV: If you want to reduce the hours spent watching TV - Hide the TV. This is paraphrased from Clear's idea to PUT YOUR TV IN THE CLOSET. This will automatically make you roll it out only when you DESPERATELY want to watch something. Alternatively (and easier): hide your remote or remove its batteries.

Sports: Prepare your workout clothes in advance. If you have to search for them, you're likely to skip your workout. If they're right there, well, then you're just lazy if you don't go, and nobody wants to be lazy.

Obviously this can be done with a lot more than just these three categories of habits! Try to come up with new tactics yourself! I'd love to hear about them in the comments too!


Overall thoughts:

They book was dry as Parmesan (PS: cheese should only be eaten in moderation) but had some valuable tips (as listed above). I would definitely recommend the book simply because it has more tips than what I've personally listed and everyone has their own style of learning/changing and their own goals to meet. This means that while the above advice is valuable to me there might be other important things in the book for YOU to learn.

Only YOU know what YOU need to change/learn about yourself/in your life. That is why you personally should read this book.

WriteBot thinks everyone can benefit from this book. It can be found easily on Amazon (I am not affiliated with James Clear or Amazon in any way by the way) and probably other stores and isn't very long either. You might learn something about yourself with this book!

WriteBot out.

Monday, November 19, 2018

What I'm working on: current WIP

Hey everyone!

Today I'll give you an incentive to check out my webpage (www.jasmingelinck.com) more often!

Why should you do it? Because there is soon to be a new story (collection)! At the moment I'm working on an anthology of short stories (among other things) called Xenos. Xenos means strange - and boy are those stories strange (and some of them are horrific)!

In the anthology there will be six stories all centered around one of these topics:

aliens
first contact
weird as heck science experiments
aliens
cosmic horror
aliens

The stories in the anthology will contain old(er) stories as well as brand-new stories! A story that's been on Amazon for a while and is doing well on its own is 2115. This is about a band of people trying to survive the first phase after the aliens landed and their city (Detroit btw) was destroyed. All I can tell you is they're getting outta town real quick! Here's the official blurb:

2115

In the year 2115, aliens landed on Earth. A worn-out soldier, an obliv-addicted EMT, and a little girl take a group of survivors out of the destroyed city to establish a survivors' shelter in an old highway tunnel.

The other stories included in the anthology are:

Moonfarer (a weird Solaris-esque story)
Of One Mind (weird as heck science experiments mentioned above ft. the connection of human minds - alert! Horror!)
Eye in the Sky
Gate (< this one needs a different title yet. It's not complete and not 'done' either at this point)
Immortal (I sent this story off to some magazines and got really good feedback... even though they didn't take it Q_Q)

If you like Lovecraft you might like this anthology. If you like weird as heck cosmic horror/existential horror then you will love this anthology. I know I do (and not just because I'm biased!). I'm actually getting to the point where I write the things that actually TOUCH ME in some way or other. And they're all weird as heck. Please don't tell my therapist.

The anthology will be out on the 7th of December! (A day before my birthday incidentally! What a coincidence!)

Anyway! Stay tuned, sing in tune, check out my website now and then again tomorrow and the day after that, and so on and so forth. There should be an update on Xenos soon. The cover is done. A sneak peek? Hmmm! Soon. I promise.

Have a good day/night!

WriteBot

Sunday, November 18, 2018

The experiment (part 2)

Hey folks

About a week ago I started an experiment with the designer website 99designs.com. I wanted to update you all on the progress.

If what happened can be called progress.

Initially there were some designs coming in for my business card that looked promising. They were well thought-out and showed some creativity. The first phase of the contest lasted about three days and about 7 people participated. The designs were varied. Two of the designers created work that seemed to fit well with what I had requested (a sci-fi business card). The other five either ignored my requests completely or just slapped some generic images/colours onto a card and called it a day. I spoke with a few of them and requested changes. Most of them were done and the cards looked somewhat better. (However... the amount of people who insist on putting an extra e at the end of my first name or start spelling my last name wrong when before they had it correct... yikes.)

The contest entry phase ended... and I wasn't blown away by any of the designs. They were 'ok' but not suitable to my writing/style at all.

I contacted 99designs customer support (These guys are actually on the ball! Helpful advice and fast answers!) and asked them what to do. They offered to extend my contest and I did.

A few of the designers stuck around and have been making changes/submitting new designs.

Another designer - one of them who did not stick around - told me he would no longer waste time on this contest (He actually had one of the best designs but got butthurt when I rated his last half-hearted attempt to spell my name correctly with a 2-star). All right. He hadn't spent a lot of time on the contest in the first place (his design was the most creative of them but needed an hour or two more of detail work) and apparently expected to just get a 270 euros prize by doing half an hour's work. (???)

Another designer yet has been working round the clock on the contest. He has submitted thirty designs and made every change I asked. He's not the best (sadly) but I can tell he's making an effort. He's available online most of the day and actively communicates with me to let me know what he's doing. This guy gets 5 stars on worth ethic but unfortunately only 3 stars for design concepts.

These two examples just about sum up my experience with 99designs. There are those designers who want to make a quick buck and don't intend to 'waste time' beyond half an hour's work and those who put in a congratulatory amount of effort but just don't have the skills (yet) to create a good design.

I'm not sure who deserves the prize money at this point. I'd love to have a design I really like for almost 300 euros but none of the ones submitted is it.

At the same time my second contest for a book cover is trudging along... not at all. The only cover submitted is a terror that quite frankly fits on a creepy 80's horror film but not a story about friendship and starlight. Like what! The main character (a headstrong little girl) looks like she's some sort of psycho escaped from Cthulu's army. I'm going to have nightmares of her tonight.

So far WriteBot doesn't like the 99designs experiment very much. WriteBot would like to have a lovely sci-fi business card but isn't sure it will still be possible until the end of the month (when there's ComicCon). But WriteBot refuses to just obtain a mediocre design. WriteBot wants the BEST business card.

I guess WriteBot will have to wait a while longer to start handing out cards...

All that being said... I think 99designs isn't a great place if you want quality work. A lot of the designers don't want to put in the amount of work required to complete a good design (even when ten hours of work could get them about 270 euros - which is quite a lot more than most people make in a day) and think they can make a quick buck by putting something together in photoshop and throwing it out there as a design. It's a bit disappointing... but I guess people want to find shortcuts everywhere.

WriteBot out!

Saturday, November 17, 2018

What are your goals this year? What will they be next year?

Hey everyone!

It's pretty late. I just came home a few minutes ago and decided to give you another post. This one is a simple question to help you think about the year ahead (2019 for those of you living under a rock). Why now? It's not even December yet??!?!

BUT: the earlier you think of YOUR NEXT GREAT GOAL the easier it will be to change this into an obtainable goal by year's end. This means you can start 2019 not with some airy fairy wish of 'oh I'd like to eat 90% less chocolate in 2019 than I did in 2018' but something realistic like 'I will not eat chocolate on one Wednesday per week!'

The questions can be answered very broadly. You can talk about your writing goals (complete ten books? Write one hundred short stories? THINK BIG!) or your life goals (finally get a dog and raise it well). You can mention your relationship goals (such as: I will surprise my partner with a little gift/flower/favourite snack once every month!) or your health goals (I want to get healthier/slimmer/smarter). I'm interested in your lives. I seriously am. Where else am I gonna learn about humans?

Do you have any goals for 2019 yet? How about your 2018 goals? What happened to them? Did you reach them?

The best advice on goal setting that I know of is this: THINK BIGGER.

WriteBot wants to hear all about it in the comments.

Have a good day/night!

Thursday, November 15, 2018

How to plan a story 3 and Impatience-block

Hey folks!

Today's post will concern itself with the single most important line I've gotten out of The 10X Rule by Grant Cardone.

It goes something like (paraphrased) this:

If your plan fails or you hit a roadblock - THINK BIGGER!

Why is it so relevant?

Let me start off with an example right away. As you know I've been working on the outline of a new book (series) in the cyberpunk genre. I had a specific question in mind about what it should be about. BUT I am not an outliner. I used to pants my way through everything... until the concept I wanted to talk about became so big they stopped making sense when pantsed. I then decided to outline despite the failure of earlier attempts (I've tried a LOT of writing techniques over the years) to do so.

The outline was going quite well. It wasn't perfect or perfectly detailed but it did make sense - somewhat.

Until yesterday.

I was chugging along nicely with my plot for the second installment of the series (each installment has its own 'question' I am trying to answer) when I realized that 'damn this character turned into a Mary Sue' and 'damn this sounds a lot like Deus Ex Machina'. I ignored these voices for a while and finished the initial outline anyway.

At night, then, it was difficult to sleep, which it hadn't been when I worked on the first installment. This made me concerned - because I know what this means. It means something is wrong with the book I'm writing at the moment!

I slept. I woke up in an even worse state. It's a bit like being concerned about something when a plot just feel 'wrong'. I can't get my mind of it and am distracted because I NEED TO SOLVE THE PROBLEM. I'm big on problem solving and I recognize problems very easily. This means if there is an unsolved problem I'm just antsy.

Ok.

It's now about an hour since waking up and I've just finished breakfast (sweet sticky rice! Don't judge!).

The 10X Rule came to me as I was eating breakfast.

What if I'm working on the wrong section of the book series? What if the plot of installment 2 actually belongs to installment 1 still? It hit me then. I'd been working on the wrong question (I try to answer a question with each book of the series so installment one is connected to question one and installment two to question two). I'd skipped ahead to question two when question one was not yet sufficiently answered.

Oh boy.

So what's next? This is where the line from The 10X Rule comes into play: If your plan fails or you hit a roadblock, THINK BIGGER!

I can say without any shame that my first plan failed. I did not think big enough. This means in order to fix the outline for the first question I'll have to THINK BIGGER. I hit a roadblock precisely because I was getting impatient. I wanted to finish the outline for at least installment 1 and WRITE ALREADY. I started to hurry. I missed the entire point and ended up with bad plot and unnecessary Mary Sure characters.

This means today I'm going back to installment 1. Will it be easy? Nah. It will be even harder than what I already have. Will it 'take a while'? I think it might. I've already been working on the outline of installment 1 for a week (though admittedly only about an hour a day). BUT! I refuse to settle for 'mediocre'. I refuse to settle for 'this will do'. AND. It will be FUN! And you know the even bigger benefit? It will make the story so much better! It will make it so much more meaningful. It might even be possible in this way to come close to the vision of the story I have in my head.

The moral of the story?

You don't have writer's block. You have impatience-block. You did not think as much or as elaborately about your story as you should have. You need to re-do your outline/first draft. You need to truly understand what and why things are happening in order to fix your stories and make them the best they can be!

Do you agree? Disagree? Let me know in the comments!

WriteBot, bleep bloop!

About STORY PLANNING 2

Hi folks!

As some of you know, in the last couple of weeks I've tried to improve my working style by learning how to set goals.

So this post will be about goal-setting and self-improvement.

I will say without being ashamed: I'm not really good at it yet. I'm still learning how to do it. This means I've been buying and reading a lot of books. My favourite so far is The Magic of Thinking Big, by David J. Schwartz, but I also found Grant Cardone's The 10X Rule quite helpful. If I had to choose, The Magic of Thinking Big would win out. This is a book I'd recommend EVERYONE to read. It's a really really important book if you want to improve yourself. It's also fairly short.

Ok. Let's continue.

Why did I even change my happy-go-lucky style to something more SRS? Because it was no longer working out just being happy-go-lucky. I've made a couple of mistakes I would have loved to avoid. I spent a lot of money on THINGS that didn't work out (for example the start of a degree in a completely unrelated field to writing). I started a lot of stories that will never be finished. But then something else happened.

I decided IT CAN'T CONTINUE LIKE THIS. It's time to actually BE SUCCESSFUL. I bought the above mentioned books and read them in two days each.

I knew this about myself: I hate planning things out. It's just not my style. It's stifling. But also: It is important to plan IMPORTANT things out. Why? I think we all know this. There are times when you can tell by your own stories that the bigger they are the less coherent they become the more you write on them. And that doesn't encourage anyone to edit.

So here's an experiment: Plan your next story. The outline doesn't have to be finished in a day. It will probably take much longer (depending of course on the greatness and length you want in your story). Write a summary. Write two summaries (or twenty). Change the outline you have if it doesn't work the first time around (and it probably won't). What this will give you is a FEEL for the story. The more you THINK about it (don't write just yet unless you absolutely know where you're going!) the more you will know it. A lot of successful peoples' best ideas come from solitude and thinking about their goals/plans. Why should writing be any different?

A caution, however, needs to be added. There is such a thing as overthinking it. You know this is happening when you start getting impatient or just want to write (without knowing WHAT you want to write) heedlessly. This happens when you're TOO CLOSE to the material. When you stop seeing the trees because the forest became too dense.

How to know when this happens? Well, usually it is accompanied by despair, by the urge to pull out your hair (or whatever else your habit is when you're overwhelmed), by my-head-is-about-to-explodiness. Then you need to observe the unofficial Rule 3 of THE WRITING RULES. Take a BREAK! Relax. It might be hard (it is for me) but it is beneficial! Do something else. Learn something. Write on a different story. You need to clear your mind of all the unrelated and confused ideas so you can come back to your IMPORTANT WIP refreshed later!

Does this make sense? Tell me about your tips! How do you plan stories? I'd love to know!

WriteBot off... to plan STUFF.

Wednesday, November 14, 2018

A poem for YOU!

Hi everyone!

Here's a quick poem to make you think about your (artistic) duty today!

In a temple stood a girl of stone
A brother never read the letter of tears she sent
His sister however did the deed
and went to all the temples in the world
to kiss all the girls she could find
until one of them
a girl with alabaster skin
white hair
and silver eyes
melted out of the stone and blinked at her
You found me, she said
Well, no one else would, so I had to do it myself

Do you also have a girl trapped somewhere in stone? A statue you're trying to shape out of marble? A book you're trying to excavate from your mind to display it on paper?

Let me know in the comments! I'd love to know!

WriteBot hopes you enjoyed this short poem and you'll have a good day/night!

Tuesday, November 13, 2018

Why you should read Warlike

Hi folks!


Let's talk about WARLIKE.

Warlike is my second book published. The official description depicts a young woman's quest to free her (jungle-forest) tribe from a menace called raptors. The young woman is called Thresha. After the most skillful war-party of the tribe is killed on a hunt, Tresha wants to go out and kill the raptors herself. In essence, the raptors are dinosaurs, and they've been plaguing the tribe for decades. The book is set in the year 2250.

Let's start with a simple question: Why dinosaurs? In 2250? In this story the Earth is practically abandoned. It's not been left behind by space travel but rather humankind caused themselves to become extinct. There were several wars and so much pollution the Earth changed. What's left of the great cities are structures like the Deep (a crumbling hospital). The rest has been covered (at least in Thresha's part of the world) by a jungle-like forest. As forests are not the most food-producing ecosystems (this is a fact) the tribes that sprung up are small hunter-gatherer tribes with some degree of awareness of technology although nothing technological really has survived.

In this setting then Thresha is told to stay down even as her tribe's most revered hunters are killed in the fight against the raptors. But Thresha is very stubborn and has a strong urge for initiative. She won't be kept down. She will be fighting not only for herself but her whole tribe. At the beginning of the novel she starts to do exactly that, even against the wishes of her tribe's Elder, and as a result, Thresha is exiled. She has freedom then, but no security with her tribe any more, and the world is much, much bigger than she thought.

I love this book simply because it's such an adventure. It's really fast-paced with a view out of Thresha's own mind and it is still able to slow down at some point to include Thresha's core values as a character - what she loves and what she hates. All in all it's the one YA-like book I always wanted to read but no one wrote. There is no romance (because who isn't tired these days of all YA books having a romance? I wouldn't have read that as a girl) but great focus is put on meeting new people and navigating their worlds. Friendship is made the central theme of the story instead of romance. (Think about the first Pacific Rim film! I loved it simply BECAUSE it had no stupid romance but focused entirely on Raleigh's protectiveness and friendship-love for x)

Do you think WARLIKE might be something for you? I'd (obviously) love for you to read it!

As a second piece of news: I got my second review for Catching Fireflies! I love it!

This piece of news: In a few days my books will be on goodreads! This means you can review them there as well and add them to your lists! A post about that should follow soon!

WriteBot off!